He stands for realism, however unpleasing and unpalatable. He is the very embodiment of realism in the play. He has risen from the hell of poverty to the paradise of affluence. He sells canons, and earns money.
With money and gunpowder, Undershaft participates in the power that reigns over Europe, the power that determines the course of society. For Undershaft, man does not need redemption from sinfulness but from the material abjection of poverty, hunger, and sickness.
Undershaft wants nothing to do with a religion that abjures warfare and wealth. These evils are the necessary means by which man can be saved.
Barbara will return to the Salvation Army with this gospel as well, recognizing that the necessary dialectic between good and evil means that the work of salvation requires the pact with the Devil.
Unlike Undershaft, Cusins takes up the armory in the name of a love for the people. Through the armory, he will abandon his anachronistic and intellectualizing studies and make power for the contemporary world, a power accessible to the masses and that forces the "intellectual oligarchy" to exert itself for the general good.
He too exalts the arm as the force that stands to destroy all forces and determines the course of the world. As Undershaft proclaims, a sacred commandment, "Thou shalt starve ere I starve," sets him on the path to greatness.
Through a murderous struggle with others, Undershaft realizes his will and desire.
Thus his "bravest enemy" is his best friend, a rival who keeps him "up to the mark. Again, the struggle he stages with others is decidedly violent. Those who do not submit to his desire must die. Until he achieves his will, he is menace to civilization; upon its realization, he becomes its benefactor.
Thus, the great man makes history.The Gospel according to St. Andrew Undershaft. Shaw often wrote long prefaces to his plays and Major Barbara is no exception. In his preface, he has a section called “The Gospel according to St. Andrew Undershaft” in which he details why Undershaft feels the way he does about the poor.
Hans Holbein the Younger (German: Hans Holbein der Jüngere; c.
– between 7 October and 29 November ) was a German artist and printmaker who worked in a Northern Renaissance style, known as one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design.
Major Barbara; Themes; Major Barbara by The primary topic of discussion is what Shaw identifies in the preface as the "Gospel of Saint Andrew Undershaft," that is, the gospel that would promise society's redemption.
it is the "only way of saying Must." Only the murderous command can inaugurate the new that follows necessarily .
The Gospel According to Undershaft Essay God, but the armory proper. The Undershaft firm represents an alternative canon, charting a long tradition of Saint Andrews who have quietly held Europe under their thumbs and determined the course of history.
Second, in "The Gospel of St. Andrew Undershaft," Shaw reinforces Undershaft's position that poverty is the greatest of all evils and the worst of all crimes.
Here, Shaw is using evil and crime in a different sense from that of the average reader's understanding of .
Where in the Bible do you find the clearest explanation of the gospel? In one of the four gospel books—Matthew, Mark, Luke, and John? Perhaps in Paul’s letter .